Nobody Knows Anything

In my presentation on risk, I have a slide called Nobody Knows Anything. I don’t mean this in a general sense, as lots of people know lots of things, but I mean it when forecasting failure or success. No publisher knew that Harry Potter would be the smash hit of the century. No scientist knows that his or her discover will be the next big thing in the field. Most artists die long before their work becomes popular and desirable by the masses.

A big part of the human experience is trial and error. This really sucks for the control freaks among us (including me). The goal when creating anything new is to allow it to exist without expecting so much from it. That sentence feels so light and easy to type and yet living it out remains a real bitch.

Nobody knows anything, so we should hold lightly to our ideas. I’m in a fourth year fiction writing workshop this semester where we offer feedback on each other’s short stories. It can be so hard to hear criticism, especially when the work is brand new and as its creator you aren’t even sure what it is yet. So often I dream of turning in a story and having a reader or my prof say, “Wow, this is perfect in every way. Don’t change a word. Magazines will be lining up to publish this brilliant piece of writing.” (Spoiler Alert: this NEVER happens.)

The key is not to base our sense of self-worth on any outside source. Ever. Praise comes and goes, just like criticism, and our sense of internal value should not rise and fall with people’s opinions. Confidence is always an inside job. I know this to be true, deep in my soul, and yet so often I become dragged down or obsessive about other people’s views, mistaking them for facts when they are only opinions.

Holding loosely is one of the great markers of happiness. Usually our pain comes from daydreaming about how a situation or a relationship is going to spool out. We imagine a certain outcome, and then when it doesn’t work out we feel betrayed, devastated, robbed. And yet the narrative we constructed was only in our own head. It was never real or guaranteed.

I am ridiculously guilty of this. Even though I know better, and have for years, I still daydream situations that have zero chance of occurring. Why do I do this? Likely because it feels good. It gives me a sense of control over life that in reality I simply do not possess. Why is it such a damn challenge to let life unfold the way it’s meant to and adapt to what actually happens instead of what I think will happen?

It does help to remember that nobody knows anything when it comes to predicting what most people like or don’t like. We have to trust in ourselves for the work we are doing. We have to hope it will translate to others and mean something to people beyond ourselves. Receiving critical feedback that is kind and helps to shape the work is beneficial, but a lot of what people say is not helpful and harms the initial risk we are courageous enough to take.

As Theodore Roosevelt reminds us in shortened form and with updated inclusive language, “It’s not the critic who counts, (but) the credit belongs to the (person) in the arena.” If nobody knows anything about what will ultimately fail and what will succeed, then the creator is the one who should believe in their work for as long as possible, without inviting other people to weigh in too early in the process.

The Flashlight of Criticism

The Flashlight of Criticism

When we face criticism, we can spiral down in a funnel of shame, feeling less-than and outed for pretending to be better than we really are.

Or maybe that’s just me, because possibly my childhood was not as stellar as yours.

I know it’s unhealthy to attach my self-worth to my performance. These things are my products: writing, speaking, acting, grades; my identity is something different. This distinction is oh-so-clear in my head and not so obvious in my experience.

Everything in the arts is subjective. One person loves what you’ve written or taught, and the next person thinks it’s boring and useless. As a writer, I’ve volunteered to be criticized to try to make my work stronger and more effective. In a cold, clinical setting, I do understand this.

But in my heart it’s something different. Being told what is “wrong” with my manuscript is painful in some intricate way. It reminds me of how far I have yet to go to make my dreams into reality. I do realize that all writers face this. I’ve been through classes and writers’ groups before, processing negative feedback, but I still hurt at first.

Maybe it’s time to just allow this. To feel it, and not to attempt to rationalize it away or explain it. Some feedback wounds because we have more internal healing work to do. The criticism is a flashlight revealing our hidden chasms where shame and fear lurk in the darkness.

The key might be to reach out to the cheerleaders in our lives when we get knocked down. To ask for love and support so we can summon the energy to keep going, to continue believing that we are onto something as long as we don’t quit. Rough work is better than no work when it comes to creativity. Revisions exist to fix the little things.

I’m loving the process of working on this new YA novel. I don’t want to forget that. It’s fun to write, even if it’s not everyone’s cup of tea. It’s the book I longed to find on the shelf when I was 15 years old and that kind of passion is worth pursuing.

Often a pain that doesn’t fit with the circumstances is an indication that an old wound is being disturbed. That’s what I felt last week through a workshop round of mild criticism: a very old childhood fear that I am simply not good enough to compete in the arena I want to work in. The only way to combat this is to keep going anyway. To feel it, acknowledge it, cry a few tears, and then get back to work.

This Rejection Place

This Rejection Place

Between what we long for and what we have there is generally a gap. This place is where our discontentment thrives.

I long for a traditional publishing contract. I’ve been querying, on and off, on a spiritual memoir for almost three years. A ton of rejection comes with this process. I knew it when I started. Getting a full manuscript request from an agent early on was exciting, only to be told she liked it but didn’t think she could sell it.

Two story contests came across my social media feed this summer that I decided to enter. I wrote the two best stories I possibly could and sent them off with high hopes. Neither one made the shortlist, bringing back those ugly doubts and fears, whispering all day and night to my spirit: “maybe you’re just not a good enough writer.”

It’s dark and lonely in this rejection place. My psyche feels wounded and lost, like a dark cave where you forever hear water dripping, a sound that will eventually drive you mad.

I handed in my first flash fiction story in my creative writing university class. I was really happy with it, once again telling myself that I couldn’t do any better at this stage of my life as a writer. I got glowing feedback on it but didn’t achieve the perfect grade I wanted. Once again, that voice in the cave was back, taunting me with my own worthlessness.

I do know that writing is subjective. Criticism is meant to improve our skills and we shouldn’t take it personally. Sometimes it’s easy to take a bird’s-eye view of the whole process and console yourself with the fact that at least you are in the game. I’m putting myself out there and trying for something, and the price is the inevitable rejection.

Time heals and takes away the sting. I will keep going, but today I will allow myself to wallow a little in the hurt and frustration. The real problem, as always, is my own damn expectations. I start to write a happy ending to a particular submission story, when I have no actual control over the tastes of the judges or teachers or agents or publishers.

I can only do what I can do, then I must let go of the outcome. Sounds easy, but it’s the hardest part of the whole process. When will I learn this? When will I finally improve at it?

Rejection will always hurt. But it doesn’t have to stop us or define us. Bumps in the road will never stop cropping up. It helps to remember that the people who matter in my life will love me no matter what happens.

The key to resilience is picking up my pen and writing another word, another sentence, another character. I have to believe that not quitting is what will get me to where I want to go, even if it takes way longer than I want it to.

Live and Let Live

Live and let live is one of my favourite slogans of the recovery movement. So simple and yet so challenging, for we all have opinions on how others should function.

Most of the time, what other people do is none of our damn business. Putting this thought into practice can radically change your life for the better.

Does a certain family member drive you up the wall? How about a neighbour? Or a parent at your kid’s school? Maybe it’s a co-worker, your boss or a particular client?

Live and let live. You get to make any choice you want in life, with your words, your actions, the expression of your thoughts and feelings. And guess what – so does the person you makes you utterly bonkers.

It’s infuriating and freeing, at exactly the same time. It’s not up to us to decide how other people should live. They get to choose and they also get to deal with their unique consequences. And the same is true for us.

Learning to practice this has been one of the hardest but happiest experiences for me. When I find myself in a negative cycle of criticizing someone whose decisions make zero sense to me, I step back (often midway through my rant) and remember to say, “Live and let live.”

I’m not responsible for what other people do and say and neither are you. Why should we waste even a moment of our precious life worrying or fretting about something that’s not our responsibility? This is where the “live” part of the slogan comes in. It’s up to me to make my own decisions and look after the words I say, for good or for evil, and make a conscious choice to allow the other person to be responsible for theirs.

Try it. Write “live and let live” somewhere and look at it to remind yourself not to get involved when it’s someone else’s life. As I improve at this, I’m working on adding, “I wish you well” to this phrase so I can extend a bit of goodwill to the person who might baffle, irritate or anger me. I do this because it’s healthy for my soul and also because it makes the world feel softer, gentler, more loving. This is a Step Two kind of thing, however, so I don’t recommend starting with it. Build up to it.

The goal is to be busy creating a life that we love living, so we have less interest in criticizing anyone else’s decisions. If it has nothing to do with me, I’m really trying to simply leave it alone. And where it does affect me, I get to choose how I respond and then let go of whatever the other person does or says.

If we all work at living how we want to live and letting others live how they want to live, our world will be a more peaceful place. And that’s good news for everyone.

Managing Expectations

Managing Expectations

Managing expectations is a tricky area for me. It’s not my strongest suit, but I’m going to launch in as bravely as I can and see what I might have to say on this topic that can hang so many of us up.

It’s a beautiful idea to release your expectations and just accept what is. I’m sure that this method provides more happiness than the angsty hand-wringing that I’m fond of doing, but getting from stress to surrender is the hard part.

Like many of us, I know what I want in life, or at least I think what I want will bring me satisfaction, contentment, money, happiness, etc. I hate getting caught up in the spider web that is our culture’s inane idea of what success is supposed to look like, and yet it happens again and again to me.

I got a bad review recently from one of the sessions I presented at a teacher’s convention. The material I offered was not at all what this teacher was looking for. It threw me for a loop, because I heard a lot of positive feedback right after the session. It’s one thing to know in theory that you are not everyone’s cup of tea, and another thing to read it so bluntly in black letters on a white screen.

I’m querying a manuscript again and getting plenty of rejection. With each fresh “no thanks, your writing is not for me” my heart sinks and it’s only natural to wonder what the hell I’m doing with my life. But then a bit of time passes and I remind myself that it just takes one person to connect with my work. Not everyone is going to like it and that is totally fine.

But it’s hard. There’s no way for it not to be. The key is not to wrap my self-esteem up in the product I’m putting out in the world (writing, speaking, etc.) and keep the expectations reasonable. It’s going to be a long road, with plenty of bumps and detours and setbacks. Not quitting is what matters.

I think the best thing to do is to stay busy with other projects. You want fresh ideas flowing so you don’t fixate on what might be stagnating in one area of your work or life. Just keep going, and try not to obsess over why nothing seems to be going your way. One day you’ll step up to bat and the ball will connect with that satisfying thwack. You can’t predict when it will be and you’ll probably have to strike out a lot to get to that one thrilling hit.

Our expectations tie us up in all kinds of unpleasant knots. I’m determined to push on, in spite of the many roadblocks in front of me. So much of this life is subjective. One person loves what you’re doing and the next person despises or ignores it. It’s important not to take it personally. I have to believe that what I’m doing has value. It also helps to be reminded that a little bit of kindness goes a long way.